![]() ![]() Choose the MIDI tool and select the region to be affected.An Other beat is any other beat, where a “beat” is defined as the lower half of the time signature (a quarter note in the top example, a half note in the next, and a dotted half note in the bottom example). A backbeat is the second half of the beat (or, in a triple meter, the second and third of the beat). If you’re preparing a Strauss waltz for playback, you could delay the attacks of the backbeats for a slightly more Viennese feeling.Ī downbeat is the first beat of the measure. You might, for example, boost the velocity of the backbeats to give the music a rockier sound. ![]() You can use the MIDI tool to affect only the backbeats of a piece. See Time signatures for more information on defining meters. The backbeats of a meter could either be the second eighth note of each beat (if you represented the meter with three quarter notes in the Time Signature dialog box) or the second and third quarter notes of the measure (if you represented the meter as a dotted half note in the Time Signature dialog box). In both cases, “beat” is determined by the durational value of the denominator in the Time Signature dialog box. In triple meters, the last two thirds of the beat are the backbeats. In Finale, a backbeat is the second half of the beat (in duple meters) thus the second eighth note of every beat in or time (or the second quarter note in time) is the backbeat. In other words, Finale moves the audible location of each downbeat’s attack forward or backward in time, depending on the number you enter here. The number you enter into the Downbeats By text box is the number of 1024ths of a quarter note by which Finale shifts the Start Time of each downbeat. Enter the desired amount of Start/Stop Time alteration (a positive or negative number) in the Downbeats By text box.Choose the MIDI tool, and choose MIDI Tool > Edit Note Durations.(If you like, click Percent of Original, and type a percentage value into the Downbeats By text box.) The range of MIDI key velocity is 0 to 127, so the number you enter here, when added to the existing velocity values of the notes, can’t exceed 127. Enter the desired amount of key velocity alteration (a positive or negative number) in the Downbeats By text box.Drag-enclose to select measures, click to the left of the staff to select the entire staff, or choose Edit > Select All. Choose the MIDI tool, and choose MIDI Tool > Edit Key Velocities.By increasing the number, you can allow more space before every downbeat in the piece. The number you type here represents the distance between the measure header (clef, key, meter) and the first note or rest in the measure. Enter a new value in the Spacing Before Music field.The Document Options - Notes and Rests dialog box appears. Choose Document > Document Options and select Notes and Rests.If you’re using Finale for playback, you can alter the velocity and durational values for some, or all, downbeats by using the MIDI tool. For example, you might decide that one or all of the downbeats in your piece occur too close to the beginning of the measure. You can control both aspects of Finale’s handling of downbeats: graphic and playback. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |